Senin, 27 Juni 2011

The Book of Knighthood

Miniatures cropped from the ~1460 manuscript containing Christine Pizan's 'Épître d'Othéa' (Epistle to Hector; sometimes known as the Book of Knighthood) - Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, courtesy of the Virtual Manuscript Library of Switzerland [link].







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 7r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 17r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 20v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 27v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 36r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 46r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 51r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 82v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 84r





Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 91r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 113r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 119v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 137v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 139r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 143r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 146r





Christine de Pizan (Pisan) (c.1363-1430) was raised among the nobility of Paris and pursued intensive studies in literature, history, languages and the sciences.



Towards the end of the 14th century, Pizan took up writing to support her three children, following the death of her husband. She is widely credited with being both the first professional female writer, and first feminist to advocate for her sex, in all of Europe.



Her writing career might be considered to have had two phases: poetry, then prose; and she achieved great renown during her lifetime. Between 1393 and 1412, Pizan composed more than three hundred ballads, and even more shorter poems. She was similarly prolific in longer form, having written some fifteen books and numerous essays by 1403.

"Her poetic work is notable both for its technical mastery of the accepted forms of her time, and for its innovativeness. Christine excelled in the complex metrical forms of courtly poetry: ballads, lays, and rondeaux. She also went well beyond the conventions of her time by integrating personal, political, moral, religious, and feminist themes within those structures. [..]



[Pizan] combined extensive historical knowledge with a deep concern for the political and social issues of her day [and she] expanded and developed many of the themes first introduced in her poetry. The importance of responsible government and political ethics; women's rights and accomplishments; and religious devotion, appear consistently as themes throughout Christine de Pizan's writing."
Othea's Epistle to Hector (the Book of Knighthood) is a work of moral instruction in both verse and prose. It describes the spiritual and moral education of a young knight, Hector, in the form of an allegorical story.

"'Épître d'Othéa' takes the form of a letter written by Othea (a goddess who symbolizes wisdom and prudence) to the Trojan hero Hector. The letter is divided up into 100 chapters, each consisting of a miniature illustration and a verse text recounting a story from classical mythology, a prose explanation designed to expound the moral significance of the story, and finally a prose allegory expounding its underlying spiritual/Christian interpretation." [source]
The present parchment manuscript of 'Épître d'Othéa' was commissioned by the bibliophile Antoine de Bourgogne in 1460 and was written in Middle French, with the full complement of exquisite miniatures. Gold highlights can be seen in (at least) the opening full page decorations: the first image up above.



Incidentally, Pizan retired to a convent for the last twelve or so years of her life emerging only once - in the writing sense - when she circulated a poem in 1429 in support of Joan of Arc (d. 1431).



The Book of Knighthood

Miniatures cropped from the ~1460 manuscript containing Christine Pizan's 'Épître d'Othéa' (Epistle to Hector; sometimes known as the Book of Knighthood) - Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, courtesy of the Virtual Manuscript Library of Switzerland [link].







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 7r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 17r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 20v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 27v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 36r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 46r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 51r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 82v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 84r





Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 91r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 113r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 119v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 137v







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 139r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 143r







Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, 146r





Christine de Pizan (Pisan) (c.1363-1430) was raised among the nobility of Paris and pursued intensive studies in literature, history, languages and the sciences.



Towards the end of the 14th century, Pizan took up writing to support her three children, following the death of her husband. She is widely credited with being both the first professional female writer, and first feminist to advocate for her sex, in all of Europe.



Her writing career might be considered to have had two phases: poetry, then prose; and she achieved great renown during her lifetime. Between 1393 and 1412, Pizan composed more than three hundred ballads, and even more shorter poems. She was similarly prolific in longer form, having written some fifteen books and numerous essays by 1403.

"Her poetic work is notable both for its technical mastery of the accepted forms of her time, and for its innovativeness. Christine excelled in the complex metrical forms of courtly poetry: ballads, lays, and rondeaux. She also went well beyond the conventions of her time by integrating personal, political, moral, religious, and feminist themes within those structures. [..]



[Pizan] combined extensive historical knowledge with a deep concern for the political and social issues of her day [and she] expanded and developed many of the themes first introduced in her poetry. The importance of responsible government and political ethics; women's rights and accomplishments; and religious devotion, appear consistently as themes throughout Christine de Pizan's writing."
Othea's Epistle to Hector (the Book of Knighthood) is a work of moral instruction in both verse and prose. It describes the spiritual and moral education of a young knight, Hector, in the form of an allegorical story.

"'Épître d'Othéa' takes the form of a letter written by Othea (a goddess who symbolizes wisdom and prudence) to the Trojan hero Hector. The letter is divided up into 100 chapters, each consisting of a miniature illustration and a verse text recounting a story from classical mythology, a prose explanation designed to expound the moral significance of the story, and finally a prose allegory expounding its underlying spiritual/Christian interpretation." [source]
The present parchment manuscript of 'Épître d'Othéa' was commissioned by the bibliophile Antoine de Bourgogne in 1460 and was written in Middle French, with the full complement of exquisite miniatures. Gold highlights can be seen in (at least) the opening full page decorations: the first image up above.



Incidentally, Pizan retired to a convent for the last twelve or so years of her life emerging only once - in the writing sense - when she circulated a poem in 1429 in support of Joan of Arc (d. 1431).



Sabtu, 25 Juni 2011

General Herpetology

Illustrations from 'Erpétologie Générale, ou,
Histoire Naturelle Complète des Reptiles'
by AMC Duméril & G Bibron, 1854.



Cameleon veuqueux



Cameleon ordinaire



Gymnopode spinifere



Chelonee caouane



Cistude commune



Rhacophore de Reinwardt



Grenouille commune



Rhinoplus des Philippines



Tetes de Crotales



RAchiodon d'Abyssinie



Chlamydosaure de King



Phrynocephale a oreilles



Ptyodactyle raye

The multi-volume series, 'Erpétologie Générale, ou, Histoire Naturelle Complète des Reptiles', was released over a twenty year period beginning in 1834. The final volume is an atlas with more than one hundred steel engravings that were (I presume) hand-coloured.

'Erpétologie Générale' is owned by the Smithsonian Institution and is made available online through the Biodiversity Heritage Library and the Internet Archive (the plates featured above were downloaded from the latter source).

[via the Biodiversity Heritage Library blog Book of the Week from earlier this year]

General Herpetology

Illustrations from 'Erpétologie Générale, ou,
Histoire Naturelle Complète des Reptiles'
by AMC Duméril & G Bibron, 1854.



Cameleon veuqueux



Cameleon ordinaire



Gymnopode spinifere



Chelonee caouane



Cistude commune



Rhacophore de Reinwardt



Grenouille commune



Rhinoplus des Philippines



Tetes de Crotales



RAchiodon d'Abyssinie



Chlamydosaure de King



Phrynocephale a oreilles



Ptyodactyle raye

The multi-volume series, 'Erpétologie Générale, ou, Histoire Naturelle Complète des Reptiles', was released over a twenty year period beginning in 1834. The final volume is an atlas with more than one hundred steel engravings that were (I presume) hand-coloured.

'Erpétologie Générale' is owned by the Smithsonian Institution and is made available online through the Biodiversity Heritage Library and the Internet Archive (the plates featured above were downloaded from the latter source).

[via the Biodiversity Heritage Library blog Book of the Week from earlier this year]